Everyday: George Goodnow

28 June – 28 July 2024 · Past exhibition

Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view
Everyday, installation view

Everyday is an exhibition of works celebrating seemingly small, mundane moments as significant.

Through painting and sculpture, the works catalogue objects, architecture, materials and memories to explore the slippery relationships between built environments, the bodily and the emotional. Larger narratives are contained within smaller occurrences, signs and residue. Soft, wet, temporary objects puncture rigid, repetitive structures and established norms – creating an opening for other feelings and emotions.

The series of works articulates themes of friendship, tenderness, transness, intimacy and the absurdity of late capitalism, through the artist’s personal experiences of urban spaces.

George Goodnow, A Rose Left at the Door
George Goodnow A Rose Left at the Door, 2024 Acrylic and oil on timber panel in custom red timber frame, Framed in hand-painted timber 33.5 x 33.5 x 3.5 cm
13 x 13 x 1 1/2 inches
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Everyday, installation view